Week
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Topics
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Teaching and Learning Methods and Techniques
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Study Materials
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1. Week
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Introduction Film: Mr. Smith Goes to Washington (Frank Capra, 1939)
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3. Week
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European Cinema in the 1920s & 1940s I: Faschism and National Socialism, Reorganising of German and Italian cinema, British Cinema and documentary tradition Film: Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari, Robert Wiene, 1920).
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4. Week
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European Cinema in the 1920s & 1940s II: The Popular Front in France, “freedom” in films, “poetic realism” Film: Á nous la liberté (Freedom for Us, Rene Clair, 1931).
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5. Week
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Post-War Hollywood and the 1950s: Dissolving of studio system, cold war, McCarthy era, realist movements, tv and technical innovations. Film:On The Waterfront (Elia Kazan, 1954); Rebel Without a Cause (Nicholas Ray, 1955).
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6. Week
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Cinema in W W II Era: The situation of cinema in Germany and USSR. Film: Battleship of Potemkin (Sergei Eisenstein, 1925).
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7. Week
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Post-War European Cinema: "Art cinema" and "auteur" Film: Seventh Seal (Det Sjunde Inseglet, Ingmar Bergman, 1957).
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9. Week
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French New Wave: Politics in the 1950s France, Algeria and Vietnam Wars, Black novel, cinematheque and Cahiers du Cinema, conditions of film production. Film: Hiroshima mon Amour (Alain Resnais, 1959); The 400 Blows (Les Quatre Cents Coups, François Truffaut, 1959).
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11. Week
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General Discussion
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12. Week
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Invention of cinematographe, early silent era, silent comedies Film: City Lights, (Charlie Chaplin, 1931).
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13. Week
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Post-War Hollywood and the 1950s: Dissolving of studio system, cold war, McCarthy era, realist movements, tv and technical innovations.Film: Guilty by Suspicion (Irwin Winkler, 1991)
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14. Week
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Italian Neo Realism: Post-War Italia and Italian Cinema Film:Roma Open City (Roma citta aperta, Roberto Rosellini, 1945).
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